Baba Who? Babalú!

The elders say that Babalú-Ayé can possess anyone, because he is compared to an ancestor, and anyone can get possessed by an ancestor. Similarly, they say it is because all human beings are subject to illness. So it is no surprise that many people seem to pass Babalú-Ayé or ancestral spirits who serve him. In fact, in Matanzas City, Chino Pérez is widely known as a horse of Babalú-Ayé, even though he is the keeper of the house of Ferminita Gómez, the home of one of the original Olocuns in Cuba. While he has received Babá’s fundamento , when last I visited him, he had not undergone the full initiation known as the asiento , nor was he inclined to. It seemed unnecessary as Babalú-Ayé came and went quite fluidly in possession, and he frequently did miraculous things when he did appear. In fact, when Saúl Fernández—Babá Ni Beleké made Lucumí Babalú-Ayé direct in Havana in the late 1990s, he called upon El Chino to create the secret that went inside. Justly or not, many people in Ara

Check out this video of the young people of Juanelo dancing Babalú-Ayé in a folkloric performance. The opening scene shows the dancer rising up like the oricha. Later, he dances with a crippled leg and two jaces to clean himself.  He presumably enacts possession, as people call "Aso!" The other dancers capture the subtle body movements, transforming from stiff to confident in their movements. Notice that a dog just happens through.

They had already fed the drums by the time I arrived. They stood in a line in the courtyard with their heads covered with the offerings. Pedro Abreu—Asonyanye is conscious that he is renovating the Sabalú tradition. He talks about the fact that he has initiated more priests to Asojano than anyone else in history: to date he has initiated twenty-nine people. He has compiled traditions from all over Cuba and created an innovative and unique ceremony for giving Asojano. He has elaborated the initiation of priests in surprising ways. In his inimitable, charming, and understated way, he occasionally quotes of one his godchildren who said, “You have created something here.” As part of his renovation, he has also gone to great efforts to build and consecrate his own set of Arará drums. Pilar Fresneda—Asonsiperaco had a set of drums at her cabildo, and they are now in Pogolotti (see below). Pedro wanted to play them, but in a repetition of history, the cabildo’s current leaders refused t

Perico, Matanzas Province In 1932 when Armando Zulueta was nine, he began to pass Babalú-Ayé. Again and again the oricha would take his body in possession, and so one day the African-born Ña Octavia Zulueta initiated him into the mysteries of Babalú-Ayé. Known as Jundesi in the religion, Ña Octavia said she was Arará-Dajomé, meaning her ancestors came from Dahomey in West Africa. In the ceremony, Ña Octavia gave Armando the spokesman and guardian, Afrá. She gave him an Osun with a rooster on top. She gave him a deep low-fired water pot with the sacred stones of Nanú, the mother of Babalú. “Nanú is the mother of Babalú-Aye,” they say in Perico, “and she lives at this side.” And she gave him a covered dish with the stones of Babalú-Ayé-Afrimaye, a specific manifestation of the oricha. She also gave him Babalú’s ritual broom—the já—with three times sixteen cowry shells on it. After that, Armando became famous for his knowledge of Babalú and his aché in possession: they say he could