Baba Who? Babalú!

As I reflected on the intersection of charcoal and Ojuani Meyi, I discovered something interesting. It turns out that the sign Ofún-Ojuani represents an important nexus of the various themes that surround Babalú-Ayé. I have a tratado that says explicitly that in this sign is born:  the secret of charcoal (and ashes); the curse of the color black; the pilgrimage; and the great secret of Shakuaná.  It is interesting to note that the sign also includes a recipe for the creation of Ibako, the prenda of Oluó Popó. While there is no story explaining the secret of charcoal or the curse of the color black, there is a story explaining the use of colored cloth in the crowning of new oricha priests. It lists black as the color for Shakuaná (though I should say that I think most people would say it should be red). The tratado does provide some detail about the great secret of Shakuaná. It says that before he was Asojano, he was called Kelejewe Kuto, and he had to die in order to be

So Pedro Abreu—Asonyanye includes the divination sign Ojuani Meyi as one of the atenas he writes under the awán basket. He says it is the birth place of Asojano’s vessel and ritual broom, his cazuela and his já . Priests like Abreu see themselves as ceremonialists, claiming that every ritual is a contemporary expression of a timeless story from a particular odu. In Ojuani Meyi is where Asojuano came down to end the war between Guinea and Partridge. In ancient times Guinea Hen and Partridge were the witches of the forest. They were both so strong in their witchcraft that they entered into a battle to the death, dragging all their followers into the struggle. While they cast great spells, terrible epidemics assaulted the Earth, and their children emerged from their eggs with witchcraft. Their young were witches by birthright. (Since that time, their eggs have been used in dangerous witchcraft.) So many were the deaths that Alakaso carried the news to Heaven. There, he found no one

People know that Jundesi planted the secret of San Lázaro at Armando Zulueta’s house, but no one really knows what the secret is or why Jundesi planted it there. Many new compendia of religious information are being published these days, and in one of them, I found the following mythic narrative in the divination sign or odu called Oyekun-Ojuani: In this road of the odu, Shakuaná—another name for Babalú-Ayé—did not stay in any single house, but when he arrived at the house of a priest called Oyekún for divination, the sign Oyekún Ojuani came out. The priest marked the following sacrifice: two pigs, sixteen fish, two pots of palm oil, and a hat. Shakuaná made the sacrifice, and since he had no secret place to eat, the priest sent him to leave the offering exposed at the entrance to the town. When Shakuaná arrived to leave the sacrifice on the Earth, he heard the voice of Elegba, the messenger of the orichas, from behind him: “The sacrifice that you placed on the Earth will be separate